Grammy-nominated indie band The Decemberists is coming to New Haven

The Decemberists — A Peaceable Kingdom North American Tour 2024 w/ Ratboys
Saturday May 4, 2024 at 8:00PM – Doors at 7:00PM
College Street Music Hall – 238 College Street, New Haven, CT 06510
All Ages
Tickets go on sale this Friday 2/23 at 10AM via www.collegestreetmusichall.com

The Decemberists – A Peaceable Kingdom North American Tour 2024

The Decemberists will head out on an expansive North American tour with both spring and summer legs. The tour makes a stop at New Haven’s College Street Music Hall on Saturday, May 4th.

For 20 years The Decemberists have been one of the most original, daring, and thrilling American rock bands. Founded in the year 2000 when singer, songwriter, and guitarist Colin Meloy moved from Montana to Portland, Oregon and met bassist Nate Query, keyboardist Jenny Conlee, and guitarist Chris Funk, The Decemberists’ distinctive brand of hyperliterate folk-rock set them apart from the start with the release of their debut EP 5 Songs in 2001. After making their full-length debut with Castaways and Cutouts in 2002, the band signed with Kill Rock Stars for the release of the acclaimed albums Her Majesty the Decemberists (2003) and Picaresque (2005), which was produced by Chris Walla. The 2004 EP The Tain – an 18-minute single-track epic – made the band’s grand creative ambitions clear.

Around this time the band’s permanent line-up fell into place with the arrival of drummer John Moen, and they made the unexpected leap to Capitol Records for their first major label album in 2006. Fans’ concerns of whether the band would alter their trademark sound quickly vanished when they delivered their most ambitious and audacious record to date in The Crane Wife, a song cycle produced by Walla and Tucker Martine (who would become a longtime creative partner) that added elements of ‘70s prog, hard rock and even quasi-disco to their palette. The album was met by wide acclaim from The New York Times, Rolling Stone, SPIN, Stereogum, and was named Best New Music by Pitchfork.

Three years later, The Hazards of Love – a full-length concept album based on Meloy’s idea for a stage musical – was a Top 20 hit. In 2011, they topped themselves yet again with their first #1 album, The King Is Dead, which featured the GRAMMY-nominated song “Down By The Water.” After their 2015 album What A Terrible World, What A Beautiful World, which included the #1 AAA radio hit “Make You Better,” The Decemberists changed up their sound and explored new approaches to making music on their eighth studio album I’ll Be Your Girl (2018) with producer John Congleton. NPR Music wrote “Every band needs to refresh and reconsider its sound sooner or later, no matter how sharp it’s gotten over the course of a long career — even The Decemberists, a band whose records have always come bursting with verve… I’ll Be Your Girl captures a collaborative spirit that keeps the band sounding vibrant and alive.”

Over the past 20 years The Decemberists have toured the world, performed at countless major festivals, and even founded Travelers’ Rest, a festival of their own curation in Missoula, Montana. The band has appeared on The Simpsons, collaborated with Hamilton’s Lin-Manuel Miranda, and released their own crowd-funded board game Illimat. Lead- singer Colin Meloy is also the author of The Whiz Mob and the Grenadine Kid and the New York Times bestselling Wildwood.

The Decemberists

For over 20 years, The Decemberists have been one of the most original, daring, and thrilling American rock bands. Founded in the year 2000, The Decemberists’ distinctive brand of hyper-literate folk-rock set them apart from the start with the release of their debut EP 5 Songs in 2001. Since then, the band has released nine full-length albums that are unbound by genre and highly ambitious, ranging from Americana-leaning storytelling epics to elements of 70’s prog and hard rock.

Now the enduring indie band is back with their first new music in six years, “Burial Ground.” Already a fan-favorite after being debuted live last year, their latest single takes the overt fatalism of 2018’s I’ll Be Your Girl and infuses it with the jangle-pop of The Dentists and dreamy harmonies of The Beach Boys (performed with an assist from The Shins’ James Mercer). “‘Burial Ground’ is in that time-honored popsong tradition, a paean to hanging out in graveyards,” says songwriter Colin Meloy. “The melody hook came to me in a dream and I hummed it into my phone on waking. Most dream-songs are bad; this was the exception.”

Ratboys

Ratboys have been recording and releasing music for over a decade, but their newest album, The Window, marks the first time they’d ever traveled outside their home base of Chicago to make a record, journeying to the Hall of Justice Recording Studio in Seattle to work with producer Chris Walla. The sessions with Walla (Death Cab for Cutie, Tegan and Sara, Foxing) struck the perfect balance between preparation and experimentation, injecting new life into the band’s style of soft-hearted Midwestern indie rock with an ever so subtle Americana twist. The solidified Ratboys lineup stretched and expanded their vision in the studio, adding unexpected elements and instruments like rototoms, talkboxes, and fiddles. The result is Ratboys’ most sonically diverse record, shifting wildly from track to track. It flexes everything from fuzzy power pop choruses on “Crossed That Line” and “It’s Alive!” to a warm country twang on “Morning Zoo” to mournful folk on the titular track. After more than ten years and four studio albums, The Window finally captures Ratboys as they were always meant to be heard—expansive while still intimate, audacious while still tender—the sound of four friends operating as a single, cohesive unit.

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